Introducing ENTV, the Entertainment Minute From the Movieline Mothership

The labs at Movieline’s parent company PMC are always developing cool and creative ways to improve their comprehensive entertainment-media machine, and so it should come as no surprise that the TV and streaming video realms would receive a visit sooner or later. Thus ENTV, or Entertainment News Television, a new, regularly updated initiative featuring stories from around the PMC network — sites like Deadline, TVLine, Hollywood Life and, of course, this very site as well. Coolest of all? We’re going to cable! PMC’s new partners at the ION Network will include ENTV interludes throughout its broadcast schedule, meaning that host Chelsea Cannell and all the news that’s fit to fuel our family of Web sites will now be regular viewing material for a nationwide television audience. (ION reached nearly 100 million homes in the U.S.) It will also have a permanent home in our right sidebar, where it takes up residence today. What does it look like? What can you expect? Try a sample, and ask for future episodes in the cable package/taxicab TV display/airplane seat-back screen nearest you! We’re everywhere! Your browser does not support iframes.

9/11 training: A period for restraint

Launched during the cold months of 2002, Spike Lee's overlooked drama '25th Hour,' starring Erectile dysfunction Norton, shipped a mournful elegy for publish-9/11 New You are able to.The entire year 2006 was an essential one for 9/11 cinema. April saw the discharge of Paul Greengrass' "U . s . 93," that was adopted three several weeks later by Oliver Stone's "World Trade Center" -- two sincere and eminently respectable pictures that, for those their visceral terror and immediacy, brought us tentatively in direction of hope. "U . s . 93" spun a heroic narrative of yankee lives not sacrificed in vain, while "World Trade Center" consoled us that the couple of good males were drawn securely in the boulders. For apparent reasons, I count both films one of the more sobering moviegoing encounters of my lifetime -- worthy and scrupulous but (more to my disappointment than i'm happy to report) not terribly hard to shake. Which isn't something I possibly could possibly say about 9/11. Watching both films, it had been hard to not sense a particular hesitation for the filmmakers, as though they'd sublimated their pitch-dark artistic impulses to some reflexive posture of decency and restraint (specifically in the situation of Stone, whose politically incendiary streak was little in evidence). They appeared to think, intuitively, the full devastation of the items these were attempting to represent would just be an excessive amount of for moviegoers to deal with. These were right. It's telling that neither Greengrass nor Stone elected to re-produce the image that advances most readily in your thoughts whenever we think about that terrible day. To illustrate the Twin Towers burning and falling apart wouldn't have only been reductive, obscene and self-beating, it might have uncovered the fundamental lack of ability in our movies to reckon having a real-world crisis of the magnitude. Individuals who once carelessly compared the pictures of 9/11 to "something from a filmInch were wrong: The stark, undoctored horror of individuals low-grade TV images defeated any setpiece a Hollywood studio could concoct. Inside a brilliant 2009 essay for Salon, critic Matt Zoller Seitz advanced the provocative notion that 9/11 haunts us not only due to the unthinkable demise it signifies, but due to the perverse showmanship that it had been performed. It had not been a film it had been made to grip us in ways no movie could. "The reaction to 9/11 by artists, writers, poets, journalists, essayists, songwriters, composers, filmmakers and graphic artists has came for an enormous collective make an effort to answer one pending artwork with numerous more compact ones," Seitz authored, quarrelling that 9/11 isn't just an emergency for the nation to mourn but a picture for the artists to grapple with. To be certain, yesteryear ten years have experienced numerous independent efforts, in the 2003 omnibus "September 11" towards the recent nonfiction chronicle "Rebirth," that have valiantly tried to seem sensible of the senseless catastrophe. Among the decade's standout documentaries is really a 9/11 film by omission: James Marsh's "Guy on Wire" will not make any reference to the attacks, yet its account of Philippe Petit's 1974 tightrope walk erects a shrine towards the Twin Towers that's poignant beyond words. 5 years after "U . s . 93" and "World Trade Center," Hollywood has yet to confront the trauma of 9/11 directly with any comparable level of ambition or courage. The reason why are largely commercial audiences aren't exactly arranging for any depressing hit of reality. When studio filmmakers have clearly addressed the subject, they have tended to trivialize or exploit it -- a passing reference in "Love Really" and "Final Destination 3," or perhaps a ghoulish plot device in "Remember Me." It's dispiriting to recall that within the immediate wake of 9/11, the responded avoid instant artistic inspiration but a self-serving campaign of harm control. Warner Bros. postponed the October discharge of the Arnold Schwarzenegger actioner "Collateral Damage," which emerged four several weeks later having a hijacking scene duly excised. Disney pressed its Tim Allen comedy "Large Trouble" from September to March, fearing negative a reaction to its nukes-on-a-plane climax. Posters and trailers featuring the low Manhattan skyline were hastily changed to mirror our troubling new reality. And not less than 5 years after, any film that required on 9/11 was met with serious clucks of "Could it be too early?Inch -- as though an artist's reaction to a national tragedy were something to become timed and eager under carefully supervised conditions, just like a Jell-O mold. "No poetry after Auschwitz" appeared to possess been became a member of with a fresh Hollywood epitaph: No blockbusters after Ground Zero. 10 years later, everything well-meaning sensitivity has evaporated. We once thought we'd never again laugh in the crazy sight of aliens coming in the Whitened House in Roland Emmerich's pre-9/11 blockbuster "Independence Day." Yet following a decade of Emmerich disaster epics and Michael Bay's "Transformers" movies (the 2010 model featured Shia LaBoeuf dealing with a falling apart skyscraper just like a giant Slip 'n Slide), the galleries have clearly shed their qualms about problem our delicate sensibilities. That isn't intended like a knock on Emmerich and Bay, who boast an uncanny if unsubtle knack for making use of our collective disaster-laden dreams. To savor these movies is, possibly, to see some superficial catharsis, to relish the masochistic spectacle in our own destruction from the safe distance, and also to persuade ourselves that such worst-situation situations remain easily within the arena of large-budget fiction. Yet reassurance requires that certain turn a blind eye not just to history, but additionally that any contemporary film offering up a predicament of mass annihilation is, enjoy it or otherwise, a 9/11 movie.The very best of these, in my opinion, have contacted the topic obliquely, directing our reminiscences of this day in ways that does not preclude thrills, but continues to impress moral and intellectual engagement. Annually before "U . s . 93" and "World Trade Center," Steven Spielberg unleashed their own 9/11 diptych with "War from the Mobile phone industry's," an apocalyptic sci-fier as trenchant and disturbing every in modern movies, and "Munich," whose final shot around the globe Trade Center talks volumes concerning the futility of attempting to rationalize violence. Serious-minded fantasy films for example Peter Jackson's "The The almighty from the Rings" trilogy and also the later payments from the "Harry Potter" series (both franchises hit theaters in 2001) are informed by a feeling of evil palpable yet elastic enough to ask a number of allegorical blood pressure measurements. And Christopher Nolan's "The Dark Dark night" is really a movie profoundly formed by 9/11, conjuring a jagged, menacing modern metropolis where no civilian is protected. Company directors like Spielberg and Nolan have proven that popular filmmaking may also be intensely personal, however the movie that strikes me because the cinema's most wrenching, deeply felt reaction to 9/11 came and went very silently. Launched in the winter months 2002, Spike Lee's "25th Hour" was an elegy for brand new You are able to that in some way handled to wrest meaning in the ashes. While Lee never once mentions the big event that dangles within the story just like a shroud, his images -- a dent sequence from the city's Tribute see how to avoid memorial, a conversation presented from the gaping hole of Ground Zero -- speak gracefully and despairingly to the collective anguish. The film is not embalmed by grief this is an angry, bristling, exhilarating good article that demands on rage and profane humor as essential expressions of human resilience. Suffused with dying even while it pulses with existence, "25th Hour" reminds us of all things we lost on 9/11 and, improbable because it appears even ten years later, everything we still need to love. Contact Justin Chang at justin.chang@variety.com

Jesse Jackson, Lady Antebellum Cancel Indiana Condition Fair Performances, Maroon 5 Plan Benefit Show

There won't be any Jesse Jackson or Lady Antebellum concerts in the Indiana Condition Fair now. Fair authorities introduced Monday that have been canceled within the wake from the tragedy in the Hoosier Lottery Grandstand on Saturday, whenever a hulk of stage rigging and equipment was shoved over by instant wind, killing five and hurting dozens.our editor recommendsSugarland Concert Stage Collapse: Music artists Respond to the TragedyMaroon 5 and Train in the Hollywood Bowl: Concert Review VIDEO: Sugarland Stage Collapse: Indiana Condition Fair Coordinators Thought They'd Additional Time Jackson was scheduled to do in the fair on Wednesday (August. 17) and Lady Antebellum was slotted for Friday (August. 19). Another concert, Thursday's double bill featuring Maroon 5 and Train, goes on but a brand new location is going to be introduced tomorrow, fair spokesperson Andy Klotz stated. Prior to the announcement is made in Indiana, Maroon 5 guitarist James Valentine told Billboard.com on Monday he had a minimum of some bookings about playing a rock concert in the fair so right after the tragedy. "It simply doesn't appear such as the right kind of atmosphere, y'know?," he noted. "It'll most likely take a while to heal. It's this type of tragedy." STORY: Sugarland Stage Collapse: Dying Toll Reaches 5 Shocking New Video In the Scene Valentine added that Maroon 5 can also be wishing to carry out a benefit show at another locale for that groups of the Indiana sufferers, but continues to be exercising individuals particulars. A request comment is not came back from Jackson's repetition. A memorial service occured Monday to recognition the sufferers from the weekend's tragedy, whenever a stage flattened underneath the pressure of 60-70 miles per hour winds, killing five and delivering 45 towards the hospital, some with critical injuries. The incident happened half an hour after Sara Bareilles' set and merely moments before Sugarland was scheduled to do. STORY: Sugarland Stage Collapse: An Eyewitness Report Governor Mitch Daniels known as it a "freakish accident" and also the Indiana Work Safety and health Administration and also the Condition Fire Marshal's office have started performing research, the Indiana Star reported. The organization that erected happens, Mid-America Seem Corp., launched an argument too saying these were starting an interior analysis "to comprehend, to the very best of our ability, what went down.Inch Jennifer Nettles of Sugarland told the AP inside a statement that they was "so moved" through the occasions and also the result of fans within the stands. "Moved through the grief of individuals families who lost family members. Moved through the discomfort of individuals who have been hurt and also the anxiety about their own families. Moved through the great gallantry when i viewed a lot of brave Indiana fans really run toward happens to help lift and save individuals hurt. Moved through the quickness and organization from the emergency employees who setup the triage and tended towards the hurt." Additional confirming by Gary Graff. Related Subjects Jesse Jackson Adam Levine

Mark Romanek Wanted For Cinderella

Disney is after him having a glass slipperLooking to push ahead using its Aline Brosh McKenna-composed live-action re-imagining from the Cinderella story, Disney has specific the guy it thinks may be to bring the storyline to existence: Mark Romanek. Based on Deadline, no deal is within place yet, however the Mouse House seriously wants the guy who made 1 Hour Photo and also the newer Never Allow Me To Visit tackle the storyplot. Couple of plot particulars can be found about McKenna's new take, although it is famous that it's going to discover the Prince being shoved towards a politically expedient arranged marriage, one whose evil plan's threatened when he rather meets and falls for that lowly Cinderella. We have mixed feelings about this: Make no mistake, Romanek's an excellent director, but we are not necessarily sure this is actually the right fit. Plus, he's had his issues with studio films before, getting dropped from the Wolfman and creating The Wolverine. But possibly, after Never Allow Me To Go unsuccessful to trap fire in the box office or score much notice come Oscar time (a criminal shame on counts), he can use just a little box office clout to assist him return to making the films he desires to do. And also, since Disney will shove that one all over the world a la Alice's adventures in wonderland, it might certainly possess a shot...

Nick Stahl, Scott Speedman Lead Canadian Movie Lineup at Toronto International Film Festival

Publicist Maria La Magra dies

Veteran homevideo publicist Maria La Magra, who was VP of publicity at what's now Universal Studios Home Entertainment before beginning independent work as a PR consultant, died of cancer on Sunday, Aug. 7. La Magra held the VP of publicity post at U for 11 years until 2002. She began work in the video sector in 1984, joining Embassy Home Entertainment as director of public relations. After a stint in the consumer productions division at Daniel J. Edelman Public Relations, she joined Trimark Pictures as director in 1989, eventually becoming VP of theatrical and homevideo publicity. La Magra joined MCA Home Video's publicity department as topper in May 1991 and was seen as highly effective in that role. She was key to the launch of the "Jurassic Park" franchise and was credited with boosting Universal's entry into the DVD market. She was a consultant for Sony Pictures Home Entertainment after exiting U. Walt Disney Studios Home Entertainment had been among her clients since 2003, and in 2005 she joined forces with Nadia Bronson & Associates, where she was a PR consultant. La Magra graduated from UCLA in 1973. She was a key mover in the Entertainment AIDS Alliance, where she was most recently secretary of the org, and her last public appearance was at an EAA event in June. La Magra also recently served on the board of directors of the Entertainment Publicists Professional Society. Contact Variety Staff at news@variety.com

Foreign Box Office: 'Harry Potter and the Deathly Hallows Part 2' Tops Foreign Box Office For Fourth Straight Weekend

Banksy Oral sprays Rupert Murdoch's News Corp. Phone-Hacking Scandal

With lots of stars and music artists speaking out in the news Corp. phone hacking scandal, street artist Banksy has released their own statement after some writing about the wall.our editor recommendsBanksy Request to look in the Academy awards in Disguise RejectedNews from the World's Top Ten Scams The Oscar-nominated artist published his latest focus on his site, speaking on Rupert Murdoch's phone hacking scandal having a humorous illustration. The piece, centered around a water tap that seems to become ringing, includes a character saying, "Not again...my tap's been called." PHOTOS: News around the globe's Top Ten Scams While it isn't indicated whereby London the art is situated, fans on Twitter happen to be calling it "brilliant" and "witty." Banksy, an England-based street artist, produced the Academy Award-nominated documentary Exit With the Gift Shop, which opened in the 2010 Sundance Film Festival. The artist, who not come in the general public due to his requirement for anonymity, was refused his request to go to the 2011 Academy awards in disguise. Related Subjects Rupert Murdoch News Corp. Phone Hacking Scandal

Grease's Annette Charles Dead at 63

Grease Annette Charles, best known as rival dancer Cha Cha DiGregorio in the 1978 movie musical Grease, died Wednesday, according to Access Hollywood. She was 63. See other celebs we lost this year Charles, who had cancer, was hospitalized for pneumonia about a month ago, according to her mother, Mary Cardona. Charles, who shared an extended dance sequence with John Travolta in Grease, went on to become a speech professor at California State University Northridge, in Northridge, Calif. Her other screen credits include appearances on The Bionic Woman, Magnum, P.I., The Incredible Hulk and The Flying Nun. Catch up on today's news Charles is the second Grease actor to pass away this year - Jeff Conaway, who played Kenickie, died at age 60 in May.

Sarah Michelle Gellar Confirms All My Children Return

By Jolie LashBEVERLY HILLS, Calif. -- Sarah Michelle Gellar is going back to Pine Valley. The star of the upcoming CW drama Ringer, confirmed she will return to All My Children, the soap she got her start on, before it wraps up its run on ABC this September. I can today officially confirm that I will be doing a guest spot on All My Children, Sarah Michelle said on the Ringer panel at The CW portion of the Television Critics Association Summer Session 2011 in Beverly Hills on Thursday. The actress, who got her start playing Erica Kanes (Susan Lucci) daughter Kendall, back in the 1990s, said returning to Pine Valley was her idea. When I heard the show was canceled, I didnt understand, Sarah Michelle said. It doesnt make sense to me. I called Judy Blye Wilson, whos the casting director, and has been since I was there and I said, I wanna do something. Sarah Michelle was very clear, however, that she had no plans to jump back into her old role. I was very specific. I dont want to be Kendall, thats Alicias [Minshew] role. I just want to be part of it, she added. In fact, Sarah Michelle joked shes still thinking about how she can return. I have no idea what Im going to be doing. We can take suggestions, but Im doing one day [on set], she laughed. Yeah, Im excited. Sarah Michelle joins Josh Duhamel (Leo), Alexa Havins (Babe) and Justin Bruening (Jamie), who are also making appearances on the soap before it closes its television doors for good this fall. Coincidentally, Justin is actually going to appear on Sarah Michelles show Ringer. Justin plays someone in Siobhans life in Paris, producer Pam Veasey told reporters, referring to one of the twins Sarah Michelle plays on the show. Ringer premieres this fall on The CW. Copyright 2011 by NBC Universal, Inc. All rights reserved.This material may not be published, broadcast, rewritten or redistributed.